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Feminism in “A Doll’s House”
Written by Norwegian playwright Henrik Ibsen, known as the Father of Realism, A Doll’s House was first staged in 1987. The play is consisting of three acts and centers around the life of a married couple. Nora Helmer, a sweet, cheery and childlike wife, is married to Torvald Helmer, a bank lawyer who is fond of treating his wife as a doll, something that he owns for his amusement.
Nora wants to flatter his husband and will do anything to make him happy. She even committed a fraud, loaning a colossal amount of money without the knowledge of his husband, to help him recover to his serious condition. She is paying the loan in installment from her household allowance. When her husband found out about the situation, she was renounced as his wife. Nora, realizing that she’s just a decoration and muse for his husband, seek independence, and leave her family behind.
A Doll’s House is believed as a feminist play by most of its readers. The play focuses on discussing how women were treated in the 19th century, oppressing their rights to have their voice, personality, and dignity. Women are viewed as someone who is psychologically and socially dependent on male dominance. It also exposes the sacrifices women are willing to do to be able to provide and support their family, just like how Nora secretly borrowed money to save his husband’s life and Mrs. Linde’s decision to leave her fiancé in exchange for a man she doesn’t love, but can financially support her family. At the end of the play, Nora decided to leave her husband and her children. Although this decision made her depressed, she chose to have her own life with freedom. This represents the continuous struggle of women in making their presence felt in society with equal representation to men.
